Month: June 2015

Do music and language share brain resources?

When you listen to some music and when you read a book, does your brain use the same resources? This question goes to the heart of how the brain is organised – does it make a difference between cognitive domains like music and language? In a new commentary I highlight a successful approach which helps to answer this question.

On some isolated island in academia, the tree of knowledge has the form of a brain.

How do we read? What is the brain doing in this picture?

When reading the following sentence, check carefully when you are surprised at what you are reading:

After | the trial | the attorney | advised | the defendant | was | likely | to commit | more crimes.

I bet it was on the segment was. You probably thought that the defendant was advised, rather than that someone else was advised about the defendant. Once you read the word was you need to reinterpret what you have just read. In 2009 Bob Slevc and colleagues found out that background music can change your reading of this kind of sentences. If you hear a chord which is harmonically unexpected, you have even more trouble with the reinterpretation of the sentence on reading was.

Why does music influence language?

Why would an unexpected chord be problematic for reading surprising sentences? The most straight-forward explanation is that unexpected chords are odd. So they draw your attention. To test this simple explanation, Slevc tried out an unexpected instrument playing the chord in a harmonically expected way. No effect on reading. Apparently, not just any odd chord changes your reading. The musical oddity has to stem from the harmony of the chord. Why this is the case, is a matter of debate between scientists. What this experiment makes clear though, is that music can influence language via shared resources which have something to do with harmony processing.

Why ignore the fact that music influences language?

None of this was mention in a recent review by Isabelle Peretz and colleagues on this topic. They looked at where in the brain music and language show activations, as revealed in MRI brain scanners. This is just one way to find out whether music and language share brain resources. They concluded that ‘the question of overlap between music and speech processing must still be considered as an open question’. Peretz call for ‘converging evidence from several methodologies’ but fail to mention the evidence from non-MRI methodologies.1

Sure one has to focus on something, but it annoys me that people tend focus on methods (especially fancy expensive methods like MRI scanners), rather than answers (especially answers from elegant but cheap research into human behaviour like reading). So I decided to write a commentary together with Bob Slevc. We list no less than ten studies which used a similar approach to the one outlined above. Why ignore these results?

If only Peretz and colleagues had truly looked at ‘converging evidence from several methodologies’. They would have asked themselves why music sometimes influences language and why it sometimes does not. The debate is in full swing and already beyond the previous question of whether music and language share brain resources. Instead, researchers ask what kind of resources are shared.

So, yes, music and language appear to share some brain resources. Perhaps this is not easily visible in MRI brain scanners. Looking at how people read with chord sequences played in the background is how one can show this.

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Kunert, R., & Slevc, L.R. (2015). A commentary on “Neural overlap in processing music and speech” (Peretz et al., 2015) Frontiers in Human Neuroscience : doi: 10.3389/fnhum.2015.00330

Peretz I, Vuvan D, Lagrois MÉ, & Armony JL (2015). Neural overlap in processing music and speech. Philosophical transactions of the Royal Society of London. Series B, Biological sciences, 370 (1664) PMID: 25646513

Slevc LR, Rosenberg JC, & Patel AD (2009). Making psycholinguistics musical: self-paced reading time evidence for shared processing of linguistic and musical syntax. Psychonomic bulletin & review, 16 (2), 374-81 PMID: 19293110
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1 Except for one ECoG study.

DISCLAIMER: The views expressed in this blog post are not necessarily shared by Bob Slevc.